Content:

PREFACE
I. CHORD: vertical aspects
II. VOICING
II.1. VOICING IN FOURTHS
II.2. UPPER STRUCTURE TRIAD
II.3. CLUSTER VOICING
II.4. THE THICKENED LINE
II.5. FOUR-PART WRITING WITH AVAILABLE NOTE
III. REHARMONIZATION: horizontal
III.1. REHARMONIZATION WITH DIATONIC APPROACH NOTE
III.1.1. HI-LO'S REHARMONIZATION
III.2. REHARMONIZATION WITH CHROMATIC APPROACH NOTE
III.3. BACKWORK REHARMONIZATION
IV. SUPPLEMENT: ORIGINAL COMPOSITIONS WITH ANALYSIS
VI. END NOTES AND BIBLIOGRAPHY